THE DUPAX CHURCH – A HISTORICAL LANDMARK
The Dupax del Sur church is one of the oldest and biggest of
several houses of worship built by the missionary priests of the Augustinian
Order in the sprawling Cagayan Valley Region during the 18th and 19th
centuries. It suffered damages caused by devastating earthquakes and armed
clashes during World War II, but these damages were later repaired. Except for
these painful experiences, it still stands undisturbed and majestic amid the
gentle grandeur of a rustic surrounding… a peaceful community of hardworking
and God-fearing people, clear rivers and green fertile fields, and a protective
palisade of lush vegetation and towering mountain ranges – an object, indeed,
of deep pride and affection to the townfolk.
Built of locally available materials, such as rock, lime,
coral, or river rock and wood, plastered over with stucco, the church covers an
aggregate floor area of 7,200 square meters. The architectural design is
strikingly similar to that of the cathedral in Tuguegarao. The façade is simple,
relieved by an arched main entrance and two arched windows. Between these
windows, at the center, is an arched niche and directly above the niche is a
circular window.
Just beside the edifice is a four-tiered, square-shaped bell
tower. Visiting foreign and local tourists usually climb up the spiral stairway
for a bird’s eye view, from the balcony
above the fourth tier, of the surrounding scenery.
According to the recorded history of the town, missionaries
of the Dominican and Franciscan order arrived in the locality as early as the
year 1632. The real founding of Dupax, however, took place on April 22, 1726 when
the Augustinian missionaries Fathers Nogrante and San Juan, planted the cross
in honor of Nuestra Señora Socorro in a little chapel erected at the foot of a
hill, a few hundred meters south of the present church. The hill is called
“Cudus” (Cross) by the Isinays.
Cudus Hill looms in the far background in this morning photo taken March 19, 2012 by charlz castro |
The present site of the church was chosen following a
curious and strange occurrence at the original location of the small chapel set
up at the foot of the Cudus hill. According to legend handed down from
generation to generation, the construction of the rubble walls around the
original site was already in progress preparatory to the building of a
permanent edifice. The story goes that on several occasions the parish priest,
including some natives, noticed amorseco seeds clinging to the robe of the
image of the San Vicente Ferrer then in the chapel. (The amorseco is a kind of grass,
the seeds of which readily cling to dress touching them.) Some villagers were
reported to have seen the image in the wilderness at the present site of the
church, which accounted for the amorseco seeds clinging to the robe of the image.
Because of the recurrence of the incident, the priest and
those engaged in the construction work came to the conclusion that the image
did not like the original site of the chapel. The builders decided to transfer
the chapel site to the spot in the wilderness where the image had reportedly
been seen.
Subsequently, after the area had been cleared, the
construction of a permanent church got underway.The cornerstone of the church
and convent commenced in 1771, and the edifice was completed in 1776. Before
that, the sacristy behind the convent was finished in 1771, and the convent was
later completed in 1776.
The bell tower was built by stages and completed gradually
for a span of 15 years: the first in 1773, the second in 1776, the third in
1786, and the fourth in 1788.
As time went by, the aging church structure was weakening.
Tell-tale signs of decay were showing. The ravages of time and the harsh
elements cannot be held back. Repairs had to be made, otherwise this historical
landmark will very likely crumble into ruins. Accordingly, in 1978, repair and
rehabilitation work began under Fr. Paul Bollen, and completed in 1979. Again,
in July 1990, the church suffered massive damages due to an extremely strong
earthquake. It was repaired and restored with the help of parishioners and many
generous people from abroad and from all over the country.
(NOTE: Except for the "Santo Niño" which I changed to "San Vicente Ferrer", the text above were copied verbatim from the mural of the
St. Vincent Church on a wall of one of the buildings of St. Mary’s Dupax.)
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